My multiplicitous practice is one of getting close and being with, of becoming kin. The work is an exploration of our need to develop a decentered, non – hierarchical, more ethical and complex relationship to our environment and non–human others: plants, animals and technology simultaneously. Through a range of media I am exploring human and non-human dynamics using a gentle, economical, transformative and socio- political practice.

My recent and current practice unfolds across three interrelated, post-human drawing, film, and performance projects: When Earth Speaks, When Seeds Speak, and When Peat Speaks. Each project explores ecological time by listening to the voices of more-than-human entities — soil, seeds, and peatlands — through durational, site-responsive actions and slow, meditative studio processes. The work shifts attention from human-centred narratives to layered temporalities shaped by environmental processes, data, and multispecies relations. I’m interested in how drawing and performance can become mediums for attuning to the deep time of ecosystems.